I feel fairly ambivalent regarding
“Orac” and
“Redemption” which I watched on Sunday morning but certainly had a better double on Tuesday evening beginning with what is for me quite possibly my favourite story of the entire fifty-two that were made…
The main strength of
“Shadow” is that it is a fantastic use of the regular alien character of Cally and the sequences where she is looking for and telepathically talking with Orac which for me seem as fresh, chilling and dynamically effective now as it was when I originally watched it on its initial transmission back in the late seventies. tackling the subject of drug addiction in a prime time weekday series within a science fiction concept seems, in my opinion, a brave venture particularly with such memorable characters as Bek and Hannah, the former played so effectively by future BBC sit com star (for “Brushstrokes”) Karl Howman. It also succeeds in underlying the evil nature of the Federation to be involved in the drug trafficking operation. I know it is only the standard quarry setting that typifies the corporations science fiction output however the surface of the ‘Shadow’ planet is I think very effective thanks to silver discs on sticks above the moon discs, slight incidental music, our heroes decked out in white outfits and the similarly silver fabric wearing guards patrolling the area.
Also gaining a repeat viewing on Tuesday evening, which is probably the last I’ll be watching for some time, is Chris Boucher’s
“Weapon” story which similarly sparkles with memorable aspects to this second season story. A great outing for Servalan (replete in a beautiful costume finished off with an ornate and rather memorable ‘chicken wire’ type neck adornment) whose initial dialogue with Travis offers suitable emotive passion in the respective character performances, particularly when the supreme commander is grabbed by the throat by her obsessed charge. The ethereal atmosphere of the cloning facility and Clone master Fenn’s entry is effective and despite Servalan’s outward indication that she understands and subscribes to the precepts of ‘the rule of life’ it seems apparent to we viewers that the reverent woman clearly sees through the Supreme Commander’s pretence. There is also the worthy playfully romantic undercurrent between Servalan and Carnell whom has a classic final line regarding about his opinion of the Supreme Commander on the message he leaves recorded on her computer terminal. John Bennett is also worthy of praise for imbuing the character of weapons technician Cozer with grouchy and obsessed aspects particularly when talking with the bond slave whom accompanies him to the deserted facility. As for the weapon IMIPAC I guess it is a fairly good concept for a weapon.
Got a couple of new DVD series titles I want to watch starting in December
